Showing posts with label Di Brandt. Show all posts
Showing posts with label Di Brandt. Show all posts

Friday, May 27, 2011

Books Acquired Recently

Books Acquired Recently


Beachy, Kirsten Eve, ed. Tongue Screws and Testimonies: Poems Stories, and Essays Inspired by the Martyrs Mirror. Scottdale: Herald, 2010.


I've been meaning to buy this for a while. The Martyrs Mirror is a compilation of Anabaptist martyr stories first published in 1660. It is traditionally given as a wedding or graduation gift by Mennonites as a way of passing down Mennonite values to younger generations. I received it as a Christmas present when I was 16 and read my way through it over several years (it is 1300 folio-sized pages long). I have always been fascinated by it; I think an anthology of literature inspired by people's interactions with it is an excellent idea, and I know several of the contributors, so I am very excited to read it.


Brandt, Di. Walking to Mojacar. Winnipeg: Turnstone, 2010.


Brandt is one of my favorite poets. Her language crackles with energy, and her poems are unashamedly activist while at the same time being beautifully crafted. Unfortunately, as a Canadian, she is not well-known in the U.S., which is a failing of the American English teaching community. There is generally not an institutional space for Canadian literature to get taught in the U.S. because most departments are too small to offer courses in it (and there might not be student interest, but it is our job as teachers/critics to build this interest), and Canadian writers tend to get ignored in postcolonial literature courses. As a result, it is virtually impossible for Canadian writers to gain any traction in the U.S. unless they are lucky enough to be published in high-profile venues such as the New Yorker, as is the case with Margaret Atwood and Alice Munro.


Schakel, Peter, and Jack Ridl, eds. 250 Poems: A Portable Anthology. 2nd ed. Boston: Bedford/St. Martin's, 2009.


I ordered this as a desk copy because I will be using it in my Introduction to Literature course this coming semester. It has a nice selection of poems from the Renaissance throught the twenty-first century, a range that is difficult to find. Incidentally, Jack Ridl gave a reading at my alma mater, Goshen College, my last year there. I enjoyed his work.

Wednesday, April 20, 2011

Thoughts on Re-Reading

Later this afternoon I am going to begin re-reading Salman Rushdie's The Satanic Verses for the first time since I bought it at the Strand (12th and Broadway in NYC) in summer 2003. I claim Rushdie as one of my favorite authors, but I haven't actually read any of his work since reading Midnight's Children in late 2005. Thus I am excited to get back to him.


I have done hardly any re-reading over the past seven years while I've been in graduate school (except in those instances where a book was assigned in several of my classes or I assigned a book to my classes multiple times [e.g., Jonathan Safran Foer's Extremely Loud & Incredibly Close], and also when studying for my Ph.D. exams) because I have not had the time. This is a practice that I miss, because I almost always find that I gain new insights into a text the second (or third, etc.) time around. I like the idea of having a set of texts that one returns to for sustenance throughout one's life as reminders for who one is and where one finds beauty in the world. Religious persons would use the term "sacred texts" to label what I am describing, and I like this term even though I am not religious and don't really care whether a "God" exists (actions are what is important, not whether some unprovable supernatural being is out there or not) because it signifies the idea that some texts help us experience the sublime, the beauty of the world (which are both important concepts for secular folks to claim) better than others.


Texts that have played this "sacred" role for me in the past and that I wish I had time now to re-read, but do not, include Chaim Potok's My Name is Asher Lev, Rudy Wiebe's The Blue Mountains of China, Fyodor Dostoevsky's The Brothers Karamazov, and Di Brandt's poetry. Two authors that I have been able to re-read and continue to re-read as I have the time are Walt Whitman and Samuel R. Delany, both of whom I try to teach whenever possible. In Whitman's case, it's much easier to find time to re-read a poem or two (or a section of "Song of Myself" as the case may be) than a novel.


Part of what makes it so difficult to re-read is that I am always finding new books to read as well. I have at least a dozen new books on my shelf (mostly novels) waiting for me. Certainly my book-buying addiction does not lend itself to contemplative returns to old friends.


Also, sometimes I love parentheses a little too much.