Books Acquired Recently
Bannon, Ann. The Beebo Brinker Chronicles. New York: Quality Paperback Book Club, 1995.
I found this used at Better World Books in Goshen, Indiana. It includes four of Bannon's Beebo Brinker novels: Odd Girl Out (1957), I Am A Woman (1959), Women in the Shadows (1959), and Beebo Brinker (1962). I've read Beebo Brinker before and really enjoyed it because it gives a non-condemning view of lesbianism and is thus an essential early text in LGBT literature. I am a total sucker for omnibus volumes like this one, and it was only $5.98, so I had to buy it even though I am trying not to buy more books before I move at the end of July.
Foer, Jonathan Safran. Tree of Codes. 2nd ed. London: Visual Editions, 2011.
I am so excited to finally get this book! I ordered it in January when I first heard about it, and amazon claimed to have it in stock, but didn't because the first printing (called the first edition by the publisher, and the copy I have is labelled the "second edition" on the copyright page, but as far as I know it is the same text as the first; that is, it should be labelled the "second printing," not "edition") had already sold out. Copies of it were selling for hundreds of dollars. Once the second printing came out amazon fulfilled my order at their original price, $26, which is a great deal since the cover price is $40. I love Foer's work, and I love postmodern fiction, including his, so I am super-excited to see what he does with Tree of Codes, which has cut-outs on every page so that the words from other pages become part of the story of the page one is reading at the moment. It is as much an art object as it is a novel.
Showing posts with label Canadian literature. Show all posts
Showing posts with label Canadian literature. Show all posts
Tuesday, June 7, 2011
Thursday, June 2, 2011
"Is it better to burn out or fade away?"
The title of this post is from Jack Black's character in High Fidelity as he's considering Stevie Wonder's legacy after rejecting a customer who is looking for a copy of "I Just Called to Say I Love You."
It is a difficult question, one that I have been thinking about the past few days while reading William S. Burroughs's Naked Lunch. I ended up liking the book and would recommend it as a thought-provoking read and enjoyable aesthetic experience, but during the first quarter of it was feeling that it wasn't very good and was another example of a text that is revolutionary when it is published, but loses its power outside of its original context (two filmic examples that immediately come to mind are 2001: A Space Odyssey and Midnight Cowboy). It just seemed like a bad prose rewriting of Allen Ginsberg's Howl (which makes sense because Ginsberg played a large role in editing it); it takes a little while to find its unique voice. Anyway, it was nice not to be disappointed by the novel's end.
It is a difficult question, one that I have been thinking about the past few days while reading William S. Burroughs's Naked Lunch. I ended up liking the book and would recommend it as a thought-provoking read and enjoyable aesthetic experience, but during the first quarter of it was feeling that it wasn't very good and was another example of a text that is revolutionary when it is published, but loses its power outside of its original context (two filmic examples that immediately come to mind are 2001: A Space Odyssey and Midnight Cowboy). It just seemed like a bad prose rewriting of Allen Ginsberg's Howl (which makes sense because Ginsberg played a large role in editing it); it takes a little while to find its unique voice. Anyway, it was nice not to be disappointed by the novel's end.
Friday, May 27, 2011
Books Acquired Recently
Books Acquired Recently
Beachy, Kirsten Eve, ed. Tongue Screws and Testimonies: Poems Stories, and Essays Inspired by the Martyrs Mirror. Scottdale: Herald, 2010.
I've been meaning to buy this for a while. The Martyrs Mirror is a compilation of Anabaptist martyr stories first published in 1660. It is traditionally given as a wedding or graduation gift by Mennonites as a way of passing down Mennonite values to younger generations. I received it as a Christmas present when I was 16 and read my way through it over several years (it is 1300 folio-sized pages long). I have always been fascinated by it; I think an anthology of literature inspired by people's interactions with it is an excellent idea, and I know several of the contributors, so I am very excited to read it.
Brandt, Di. Walking to Mojacar. Winnipeg: Turnstone, 2010.
Brandt is one of my favorite poets. Her language crackles with energy, and her poems are unashamedly activist while at the same time being beautifully crafted. Unfortunately, as a Canadian, she is not well-known in the U.S., which is a failing of the American English teaching community. There is generally not an institutional space for Canadian literature to get taught in the U.S. because most departments are too small to offer courses in it (and there might not be student interest, but it is our job as teachers/critics to build this interest), and Canadian writers tend to get ignored in postcolonial literature courses. As a result, it is virtually impossible for Canadian writers to gain any traction in the U.S. unless they are lucky enough to be published in high-profile venues such as the New Yorker, as is the case with Margaret Atwood and Alice Munro.
Schakel, Peter, and Jack Ridl, eds. 250 Poems: A Portable Anthology. 2nd ed. Boston: Bedford/St. Martin's, 2009.
I ordered this as a desk copy because I will be using it in my Introduction to Literature course this coming semester. It has a nice selection of poems from the Renaissance throught the twenty-first century, a range that is difficult to find. Incidentally, Jack Ridl gave a reading at my alma mater, Goshen College, my last year there. I enjoyed his work.
Beachy, Kirsten Eve, ed. Tongue Screws and Testimonies: Poems Stories, and Essays Inspired by the Martyrs Mirror. Scottdale: Herald, 2010.
I've been meaning to buy this for a while. The Martyrs Mirror is a compilation of Anabaptist martyr stories first published in 1660. It is traditionally given as a wedding or graduation gift by Mennonites as a way of passing down Mennonite values to younger generations. I received it as a Christmas present when I was 16 and read my way through it over several years (it is 1300 folio-sized pages long). I have always been fascinated by it; I think an anthology of literature inspired by people's interactions with it is an excellent idea, and I know several of the contributors, so I am very excited to read it.
Brandt, Di. Walking to Mojacar. Winnipeg: Turnstone, 2010.
Brandt is one of my favorite poets. Her language crackles with energy, and her poems are unashamedly activist while at the same time being beautifully crafted. Unfortunately, as a Canadian, she is not well-known in the U.S., which is a failing of the American English teaching community. There is generally not an institutional space for Canadian literature to get taught in the U.S. because most departments are too small to offer courses in it (and there might not be student interest, but it is our job as teachers/critics to build this interest), and Canadian writers tend to get ignored in postcolonial literature courses. As a result, it is virtually impossible for Canadian writers to gain any traction in the U.S. unless they are lucky enough to be published in high-profile venues such as the New Yorker, as is the case with Margaret Atwood and Alice Munro.
Schakel, Peter, and Jack Ridl, eds. 250 Poems: A Portable Anthology. 2nd ed. Boston: Bedford/St. Martin's, 2009.
I ordered this as a desk copy because I will be using it in my Introduction to Literature course this coming semester. It has a nice selection of poems from the Renaissance throught the twenty-first century, a range that is difficult to find. Incidentally, Jack Ridl gave a reading at my alma mater, Goshen College, my last year there. I enjoyed his work.
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